ASHWINI PAI BAHADUR


CLASSICAL

Ashwini has always been mesmerized by classical Indian paintings. They are a diverse treasure trove of distinctive regional styles, often classified as art schools. These include the Company, Rajput, Mughal, Deccan, Pahari, Mysore, and Tanjore Schools among others. Each school of painting represents unique cultural, historical, and social narratives, expressed through a rich palette of colors and intricate details. The Rajput School, for instance, is known for its vivid depictions of epics and court scenes, characterized by bold colors and strong lines. The Mughal School, on the other hand, merges Persian influences with Indian aesthetics, resulting in sophisticated compositions and delicate brushwork. The Pahari School, flourishing in the Himalayan foothills, is celebrated for its romantic and lyrical themes, often portraying idyllic landscapes and divine love stories. Deccan paintings, with their distinctive use of lush, deep colors and ornate patterns, reflect the grandeur of the southern sultanates. Mysore and Tanjore paintings from the South are renowned for their rich iconography and the use of gold leaf to highlight intricate details. Company paintings emerged during the British colonial period, blending Indian subjects with European techniques, thus creating a unique hybrid style. This diversity not only showcases the regional specificity of Indian art but also its capacity to adapt and evolve through various cultural exchanges. Through these myriad styles, Ashwini finds herself journeying through India’s past, exploring its myriad traditions, religious fervor, and the sheer beauty captured on canvas. Each painting, with its unique story and style, deepens her appreciation for the rich heritage of Indian art.

Kishangarh School of Art

In the engaging talk titled “Keeping Heritage Alive: Kishangarh School of Miniatures”, Ashwini while in conversation with Princess Vaishnavi Kumari of Kishangarh delved deep into the rich cultural tapestry of the Kishangarh School of Miniatures. The conversation unfolded as a mesmerizing exploration of the artistic legacy and the efforts undertaken to preserve and promote the unique heritage of the Kishangarh region.

Ashwini skillfully guided the discussion towards the origins of the Kishangarh School of Miniatures, prompting Princess Vaishnavi Kumari to share insights into the historical context and the distinctive characteristics that define this artistic tradition. The princess’s firsthand accounts and anecdotes painted a vivid picture of the school’s evolution, tracing its roots to the royal courts and the patronage of the Kishangarh rulers.

The talk seamlessly transitioned into a dialogue about the challenges faced in preserving the heritage of the Kishangarh School of Miniatures. Princess Vaishnavi Kumari shed light on the delicate balance between tradition and modernity, emphasizing the importance of adaptive strategies to ensure the art form’s relevance in contemporary times.